An Artistic Heritage

An Artistic Heritage

By Mary A. Johnson

As patrons visit the , we receive many comments about the paintings they see on the walls. There are scenes of Saints crossing the rivers, scenes of Saints arriving in the valley, scenes of early settlements and portraits of early Saints.

” by C.C.A. Christensen, via history.churchofjesuschrist.org

C.C.A. Christiansen, , and Alfred Lambourne were some of the talented visual artists in those early days of settlement. What a heritage they left! Because of their recordings on canvas, we are able to live vicariously in the past and understand a bit more about pioneer life.

Church leaders had a great interest in developing the talents of artists and in having them learn the newest techniques. This interest represented an opportunity for budding artists to study with the masters in Europe, as they were encouraged and even subsidized in their efforts.

Art, in its different forms, is used as a measuring rod of cultural civilization. Using this as a guide, one can see how much culture came to the valley with the early Saints. Not only were there visual artists, but there were musicians, poets and dramatists.

was an integral part of pioneer life. Hymns were sung in church services, around campfires and by those walking the dusty miles. Choirs were organized and bands were formed in most communities. Bands led parades and brought spirit to community activities. The many pianos and other instruments found in the Pioneer Memorial Museum attest to the importance of music to these early Saints. Singing was an important activity in early Utah and was heard in the theaters as well as in the churches.

“Great Salt Lake” by Alfred Lambourne via artistsofutah.org

Of course, the theaters served mainly as a place for dramatic presentations. From almost the beginning of colonization in Utah, it was evident that there was much dramatic talent here. The old Bowery on , the Social Hall, Bowring’s Theater and the Salt Lake Theater were some of the buildings used for dramatic production, and there was much local talent to play in them. The names of , , Horace K. Whitney, Henry Bowring, John T. Caine and Hiram B. Clawson come to mind when we think of early Utah drama. Women performers were also recognized, including Marcy Tuckett, Annie Asenath Adams Kinkedden and her daughter Maude Adams, and of course, Margaret Gay Judd Clawson. These talented individuals, along with others, brought much joy to those who attended the performances.

In the late nineteenth century, there were seven Utah women starring [on] Broadway in New York City, and delight and surprise were expressed by one writer in The New York Times: “What a lot of talent comes from the Far Western State of Utah! … Is there something in the Rocky Mountain’s air to produce so many artists?” (Chronicles of Courage, ).

Just as the great dramatic tragedies of the past acted as a [catharsis] for those heavily burdened with serfdom and poverty, the dramas and comedies of pioneer times served as relief from hard work, poverty and pain for those diligent seekers of a higher way of life. One might say that while their deep religious yearnings and convictions were the meat and potatoes of life, the served as frosting on the cake.

Because of the desires and diligence of these early artists, we have inherited a great artistic world. We are surrounded with wonderful visual art produced by local artists. We enjoy outstanding stage plays, musicals and poetry readings. Professional music programs from solo, ensemble or symphony invite us to listen and to be lifted to a higher plane. Surely we have a wonderful heritage in the arts, which we owe in part to those early who desired a high cultural standard in life.


This article originally appeared in the Spring 2000 issue of Pioneer Magazine
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